…a long drought

Here in Nova Scotia we are experiencing a heat wave. Just brutally hot and humid weather. It makes one feel sapped of energy and creativity. I’ve been experiencing just this sort of drought metaphorically, as well. A long time has passed since I wove with the regularity and fervour that has been the hallmark of my creative process.

It’s early August, and it’s still stinking hot, but I think I feel autumn in the air – in the cooler mornings, and the occasional cooler evening. Something about the light, the timbre of the birds, and the dark-earlier twilit nights.

September has always felt to me like a new beginning. Once a student, always a student, I guess? I’m starting feel stirrings of impulse toward weaving more, toward experimenting, and in finding the joy in quiet work amongst colour, fibre, and texture.

Recently a really terrific store opened up here in Berwick, hotbed of creative activity – Market Between the Mountains has a great selection of work from local/Atlantic Canadian artisans, and mine is included. I still do commissions, but you can also come to Berwick and poke around the store to see some Berwick Weaving Co. pieces. Once the weather starts to turn, and you begin to think longingly about lap blankets and throws, scarves, shawls and stoles, you should come out and see what’s what.

In the meantime, here’s what just came off my loom. A stupidly soft blankie with Harrisville Shetland wool and a velvety one-off wool from Mineville.

 

…And here is what’s on my little rigid heddle loom. The earthy-toned warp is a little out of the ordinary for me, but paired with my old fave tourmaline, it really speaks to me. Once complete and wet-finished, this will be a velvety wide scarf that will have a lovely hand, and will stop traffic (or, at the very least, cool wind from hitting one’s neck).

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Happy creating to you all! Get out there and make something.

Interplay

It’s the beginning of October. The leaves are starting to turn, and my view is full of greens, orange, brown, and red. I don’t want to work, but to play. I’m counteracting the autumn colors with this:

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Two kinds of gorgeous purple merino from Mineville Wool, one more blue, the other with some pink and magenta mixed in. Then some brilliant shots of thick-and-thin turquoise, emerald, sapphire….

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I started to warp this up, and realize I have no idea what this particular piece of fabric will be. I think that I’m going to stay simple with this, just to let those delicious colors speak for themselves. I’ll use my rigid heddle loom and craft a stole, with a thin and simple purple weft – about 14 inches wide, and 6 and a half feet long. I might bead it, I might not. I’m happy to entertain suggestions.

This is one of my favourite parts of weaving – the  interplay of texture, colour, and function. Having a plan is always nice, but for the moment, I’m going to just see what feels right and we’ll see what we end up with. Whatever it is, you can’t really go wrong with those luminous colors, and the fibre is lovely and bouncy and soft.

Whatever you’re doing, remember to play once in a while, eh?

 

“Grey” or “Gray”?

What’s the convention for “grey” vs “gray”? I’ve looked at them so long that neither one looks right.

Regardless of how one spells it, I’m continuing my love affair with textures, and with the grey/pink combination. This time I added some rust and  hints of red/peach/orange. Good enough to eat, this.

It’s a mix of fibres – cotton, merino, silk, bamboo and yes – acrylic. This will be a shawl, already commissioned.

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Yeah, I think I prefer “grey”…. You?

Autumn is coming….

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Cool greys, hot pinks. Lots of texture.

This is what’s on the loom today, and although every time I warp something up it’s my “favourite,” this one is up there in the top-10 for sure. It’s a shawl made of stubby cotton/mohair/mystery yarn warp, with a silky boucle weft. It’s loose and drapey, nubby and comforting.

Don’t hate me for reminding you that autumn is showing itself in cooler mornings and evenings…why not embrace it, with something pretty instead?